Warwick Goble’s original illustrations to The War of the Worlds

H. G. Wells’ novel The War of the Worlds was first serialised in Pearson’s Magazine in 1897. By sheer luck, many years ago, I came across the complete bound set of that year’s issues in a little second hand bookshop in Ilkley selling for a few quid. So I’m lucky enough to have a copy of the first edition of the book. It’s a lot shorter than the final novel, Wells expanded it considerably afterwards, and the story is still a bit rough round the edges. What makes the magazine special, though, are the fantastic illustrations by Warwick Goble. These are the first pictures of the Martians and their tripods and, I think, the best. I’ve scanned in a selection of the illustrations so you can see how the invaders looked to the Victorians who bought the magazine to read in their parlours and on the train.

Warwick Goble’s Martians are very simple and functional. I always thought that later versions were too hi-tech and futuristic for the setting of the book. They also showed the Tripod legs as articulated, like a human’s or a spiders. In the novel Wells is at pains to point out that the Martian legs are rigid, which is how Warwick Goble draws them. The images on the left and below show them wading through the Thames and generally causing mayhem round the M25 corridor.

The rest of the pictures follow the sequence of the story, including a rare image of the Martian flying machine, pouring poisonous black smoke onto the land. The Martians are a bit too cute, though they are the first attempt to visualise beings from another world. It’s also nice to see a young lady having a pop at the invaders with her Webley revolver  instead of swooning into a heap.

One of the Martian invaders
A Martian flying machine
Fleeing the black smoke
“Take that sir, you slimy, tentacled cad!”
The lone Tripod standing on Primrose Hill
Slain by the common cold



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15 responses to “Warwick Goble’s original illustrations to The War of the Worlds”

  1. Lorijo Metz Avatar

    Love these pictures. As for the legs, while Wells may have described them as rigid, I can understand why most artists made them articulated. It makes more sense. I like to imagine that even Wells would have thought, yes, I guess they’re right. Even Martians need knees.

    1. John Guy Collick Avatar
      John Guy Collick

      Wells described them as moving like a milking stool being bowled along the ground, then later talked about them being like spiders. I don’t think he really paid a lot of attention to thinking the mechanics through. I tried a 3d animation of a Martian tripod walking once and it’s really hard. It’s not a natural leg arrangement. The third leg is a problem. Even sets of legs are easy because they work in opposition. A third leg just gets in the way. Here’s an example – the back leg just trails behind: http://www.youtube.com/watch?v=EIMrjcjTxi8

      1. David E Martin Avatar
        David E Martin

        An easy way to imagine how a tripod might walk is to think of a man on crutches with one leg in a cast or missing. Or imagine the contestants in a three-legged race (minus the falling down and laughing parts).

  2. Charles Avatar

    Love the pictures – well found.

    A couple of small things – Wells did, in fact, mention articulation of the legs – when one of the fighting machines wades across the river during the attack on Shepperton, he describes the “knee” of the foremost leg bending as it raises itself up on the bank. And the damsel – Miss Elphinstone – is firing not at the Martians (that would be brave indeed) but at a group of robbers menacing she and her sister-in-law.

    Cool site.

  3. Harry Underhill Avatar
    Harry Underhill

    Whilst I do think the machines portrayed here look pretty damn cool, I don’t think it’s quite how Wells himself envisioned them. I always felt that he wanted to portray them almost as organic creatures than machines, and thus move very fluently rather than rigidly. In fact he disowned these illustrations because he felt that they looked too different to the Tripods he described in the novel. I mean, where are the baskets they carry for keeping human prisoners?

    1. John Guy Collick Avatar
      John Guy Collick

      As Charles mentioned above, Wells was inconsistent in his descriptions. Sometimes they seem to be stilt-legged, other times with bendy knees. Goble’s tripods are a bit spartan – my favourite were the ones on the cover of this old Penguin edition – probably because it was the first one I ever read when I was a kid:


  4. Edward Avatar

    This is great! We have to create a project on the Victorians for homework (I am 10 years old) and I chose HG Wells. I wanted to include a picture of a Tripod, yet they all looked far too modern. At last I have found the answer to my problem! I loved how all the characters were dressed in Victorian costume and the flying machines as well as the girl shooting them with a revolver. This will make my project look 100 x better! I am also making a model and finally know what it should look like!
    Thank you!
    From Ed!

    1. John Guy Collick Avatar
      John Guy Collick

      Glad to be of help, and good luck with your homework! If you have a chance check out George Pal’s 1960 film of The Time Machine (not the later one with Guy Pierce), which is one of the very few movies of H. G. Wells novels to be set in the Victorian period (at least the first bit, before the hero goes into the future).

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  6. […] John Guy Collick has posted a number of Goble’s illustrations from The War of the Worlds, and you can check them out on his blog. […]

  7. […] G. Wells’ The War of the Worlds was first published in 1897 with illustrations by the British artist Warwick Goble. These were inky, black-and-white depictions of Wells’ story of a Martian invasion — eerie, […]

  8. […] G. Wells’ The War of the Worlds was first published in 1897 with illustrations by the British artist Warwick Goble. These were inky, black-and-white depictions of Wells’ story of a Martian invasion — eerie, […]

  9. […] story is still a bit rough round the edges,” writes sci-fi author John Guy Collick, but “what makes the magazine special are the fantastic illustrations by Warwick Goble. These are […]

  10. […] historia todavía es un poco tosca», escribe el autor de ciencia ficción John Guy Collickpero «lo que hace especial a la revista son las fantásticas ilustraciones de Cáliz de Warwick. […]

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